I imagine one of the toughest tasks in Hollywood is adapting a story from print to screen. Especially if the source material is a cult favorite from decades ago. Especially if the material is ultra-violent, super dark, and likely to vex Christian zealots everywhere. Especially when the material comes from the twisted, brilliant mind of writer Garth Ennis and artist Steve Dillon. Especially when the source material is PREACHER.
Well, I’m here to say: I think AMC nailed it. At least, so far.
I think we as viewers sometimes obsess over the illusion of the “faithful adaptation.” Continue reading → PREACHER REVIEW: HOLY SHIT (I mean, HOLY SHIT!)